You did not walk with me
Of late to the hill-top tree
By the gated ways,
As in earlier days;
You were weak and lame,
So you never came,
And I went alone, and I did not mind,
Not thinking of you as left behind.
I walked up there to-day
Just in the former way;
Surveyed around
The familiar ground
By myself again:
What difference, then?
Only that underlying sense
Of the look of a room on returning thence.
(1912)
O my luve's like a red, red rose,
That's newly sprung in June;
O my luve's like the melodie
That's sweetly played in tune.
As fair art thou, my bonnie lass,
So deep in luve am I;
And I will luve thee still, my dear,
Till a' the seas gang dry.
Till a' the seas gang dry, my dear,
And the rocks melt wi' the sun:
O I will love thee still, my dear,
While the sands o' life shall run.
And fare thee weel, my only luve,
And fare thee weel awhile!
And I will come again, my luve,
Though it were ten thousand mile.
(1794)
He winds through the party like wind, one of the just
who live alone in black and white, bewildered
by the eden of his body. (You, you talk like winter
rain.) He's the meaning of almost-morning walking home
at five A.M., the difference a night makes
turning over into day, simple birds staking claims
on no sleep. Whatever they call those particular birds.
He's the age of sensibility at seventeen, he isn't worth
the time of afternoon it takes to write this down.
He's the friend that lightning makes, raking
the naked tree, thunder that waits for weeks to arrive;
he's the certainty of torrents in September, harvest time
and powerlines down for miles. He doesn't even know
his name. In his body he's one with air, white as a sky
rinsed with rain. It's cold there, it's hard to breathe,
and drowning is somewhere to be after a month of drought.
(1995)
Listen |
M.A.K., September 1880-September 1955
The hour of the waning of love has beset us,
And weary and worn are our sad souls now;
Let us patt, ere the season of passion forget us,
With a kiss and a tear on thy drooping brow.
(1891)
There was a woman in Ithaca
who cried softly all night
in the next room and helpless
I fell in love with her under the blanket
of snow that settled on all the roots
of the town, filling up
every dark depression.
Next morning
in the motel coffee shop
I studied all the made-up faces
of women. Was it the middle-aged blonde
who kidded the waitress
or the young brunette lifting
her cup like a toast?
Love, whoever you are,
your courage was my companion
for many cold towns
after the betrayal of Ithaca,
and when I order coffee
in a strange place, still
I say, lifting, this is for you.
(1985)
You got a lotta nerve
To say you are my friend
When I was down
You just stood there grinning
You got a lotta nerve
To say you got a helping hand to lend
You just want to be on
The side that’s winning
You say I let you down
You know it’s not like that
If you’re so hurt
Why then don’t you show it
You say you lost your faith
But that’s not where it’s at
You had no faith to lose
And you know it
I know the reason
That you talk behind my back
I used to be among the crowd
You’re in with
Do you take me for such a fool
To think I’d make contact
With the one who tries to hide
What he don’t know to begin with
You see me on the street
You always act surprised
You say, “How are you?” “Good luck”
But you don’t mean it
When you know as well as me
You’d rather see me paralyzed
Why don’t you just come out once
And scream it
No, I do not feel that good
When I see the heartbreaks you embrace
If I was a master thief
Perhaps I’d rob them
And now I know you’re dissatisfied
With your position and your place
Don’t you understand
It’s not my problem
I wish that for just one time
You could stand inside my shoes
And just for that one moment
I could be you
Yes, I wish that for just one time
You could stand inside my shoes
You’d know what a drag it is
To see you
(1965)
