Tuesday, November 30, 2010

'The Walk,' by Thomas Hardy

You did not walk with me

Of late to the hill-top tree

By the gated ways,

As in earlier days;

You were weak and lame,

So you never came,

And I went alone, and I did not mind,

Not thinking of you as left behind.

I walked up there to-day

Just in the former way;

Surveyed around

The familiar ground

By myself again:

What difference, then?

Only that underlying sense

Of the look of a room on returning thence.


(1912)

Monday, November 29, 2010

'A Red, Red Rose,' by Robert Burns

O my luve's like a red, red rose,
That's newly sprung in June;
O my luve's like the melodie
That's sweetly played in tune.

As fair art thou, my bonnie lass,
So deep in luve am I;
And I will luve thee still, my dear,
Till a' the seas gang dry.

Till a' the seas gang dry, my dear,
And the rocks melt wi' the sun:
O I will love thee still, my dear,
While the sands o' life shall run.

And fare thee weel, my only luve,
And fare thee weel awhile!
And I will come again, my luve,
Though it were ten thousand mile.

(1794)

Sunday, November 28, 2010

'I Stop Writing the Poem,' by Tess Gallagher

to fold the clothes. No matter who lives
or who dies, I'm still a woman.
I'll always have plenty to do.
I bring the arms of his shirt
together. Nothing can stop
our tenderness. I'll get back
to the poem. I'll get back to being
a woman. But for now
there's a shirt, a giant shirt
in my hands, and somewhere a small girl
standing next to her mother
watching to see how it's done.

(1993)

Saturday, November 27, 2010

'A Poison Tree,' by William Blake

I was angry with my friend:
I told my wrath, my wrath did end.
I was angry with my foe:
I told it not, my wrath did grow.

And I watered it in fears,
Night and morning with my tears;
And I sunned it with smiles,
And with soft deceitful wiles.

And it grew both day and night,
Till it bore an apple bright.
And my foe beheld it shine.
And he knew that it was mine,

And into my garden stole
When the night had veiled the pole;
In the morning glad I see
My foe outstretched beneath the tree.

(1793)

'Bear in There,' by Shel Silverstein

There's a Polar Bear
In our Frigidaire--
He likes it 'cause it's cold in there.
With his seat in the meat
And his face in the fish
And his big hairy paws
In the buttery dish,
He's nibbling the noodles,
He's munching the rice,
He's slurping the soda,
He's licking the ice.
And he lets out a roar
If you open the door.
And it gives me a scare
To know he's in there--
That Polary Bear
In our Fridgitydaire.

(1974)

'I See a Darkness,' by William Oldham (as Bonnie 'Prince' Billy)

Well, you're my friend, (that's what you told me)
And can you see (what's inside of me)
Many times we've been out drinking
And many times we've shared our thoughts
But did you ever, ever notice, the kind of thoughts I got
Well you know I have a love, a love for everyone I know
And you know I have a drive to live I won't let go
But could you see its opposition comes arising up sometimes
That its dreadful antiposition comes blacking in my mind

And then I see a darkness
And then I see a darkness
And then I see a darkness
And then I see a darkness
And did you know how much I love you
Is a hope that somehow you, you
Can save me from this darkness

Well I hope that someday buddy
We have peace in our lives
Together or apart
Alone or with our wives
And we can stop our whoring
And pull the smiles inside
And light it up forever
And never go to sleep
My best unbeaten brother
This isn't all I see

Oh no, I see a darkness
Oh no, I see a darkness
Oh no, I see a darkness
Oh no, I see a darkness
And did you know how much I love you
Is a hope that somehow you, you
Can save me from this darkness

(2000)

Thursday, November 25, 2010

'A Muse,' by Reginald Sheperd

He winds through the party like wind, one of the just
who live alone in black and white, bewildered

by the eden of his body. (You, you talk like winter
rain
.) He's the meaning of almost-morning walking home

at five A.M., the difference a night makes
turning over into day, simple birds staking claims

on no sleep. Whatever they call those particular birds.
He's the age of sensibility at seventeen, he isn't worth

the time of afternoon it takes to write this down.
He's the friend that lightning makes, raking

the naked tree, thunder that waits for weeks to arrive;
he's the certainty of torrents in September, harvest time

and powerlines down for miles. He doesn't even know
his name. In his body he's one with air, white as a sky

rinsed with rain. It's cold there, it's hard to breathe,
and drowning is somewhere to be after a month of drought.

(1995)